ƒf[ƒ^
“s’z‹¿ˆê
1956 ”NA“Œ‹ž¶‚Ü‚êB76”N‚©‚ç86”N‚܂Ń|ƒpƒCAƒuƒ‹[ƒ^ƒXŽ‚ÅŒ»‘ã”üpAŒš’zAƒfƒUƒCƒ“A“sŽs¶Šˆ‚È‚Ç‚Ì‹LŽ–‚ð‚¨‚à‚É’S“–‚·‚éB89”N‚©‚ç92”N‚É‚©‚¯‚ÄA1980”N‘ã‚Ì¢ŠE‚ÌŒ»‘ã”üp‚Ì“®Œü‚ð•ïŠ‡“I‚É–Ô—…‚µ‚½‘S102Šª‚ÌŒ»‘ã”üp‘SWwƒA[ƒgEƒ‰ƒ“ƒ_ƒ€x‚ðŠ§sBˆÈ—ˆŒ»‘ã”üpAŒš’zAŽÊ^AƒfƒUƒCƒ“‚È‚Ç‚Ì•ª–ì‚Å‚ÌŽ·•MŠˆ“®A‘ЕÒW‚𑱂¯‚Ä‚¢‚éB1993”NA“Œ‹žl‚̃ŠƒAƒ‹‚È•é‚炵‚𑨂¦‚½w‚s‚n‚j‚x‚n@‚r‚s‚x‚k‚dxŠ§si99”NAƒAƒƒŠƒJEƒNƒƒjƒNƒ‹ŽÐ‚æ‚è‰pŒê”ÅŠ§sjBTŠ§‚r‚o‚`IŽã‚Å‚T”NŠÔ‚ɂ킽‚Á‚ĘAÚ‚³‚ꂽA“ú–{Še’n‚ÌŠï–‚ÈV‹»–¼Š‚ð–K‚Ë•à‚w’¿“ú–{‹Isx‚Ì‘W•Òw‚q‚n‚`‚c‚r‚h‚c‚d@‚i‚`‚o‚`‚mx‚ª1996”N“~‚É””„‚³‚ê‚Ä‚¢‚éiƒAƒXƒyƒNƒgŠ§A‘æ23‰ñE–Ø‘ºˆÉ•º‰qÜŽóÜA2000”N‘•â‰ü’ù•¶ŒÉ”Å“Œ“ú–{•ÒA¼“ú–{•Ò‚ð’}–€‘–[‚æ‚芧sjB1997”NH‚©‚çAƒvƒƒtƒFƒbƒVƒ‡ƒiƒ‹‚Å‚Í‚È‚¢lX‚É‚æ‚éƒfƒUƒCƒ“‚É’–Ú‚µ‚½ƒVƒŠ[ƒYwƒXƒgƒŠ[ƒgEƒfƒUƒCƒ“Eƒtƒ@ƒCƒ‹x‚ðŠ§sŠJŽnA2001”Nt‚É‘S20ŠªŠ®Œ‹B2004”N‚RŒŽA¢ŠE‚̃[ƒhƒTƒCƒh‚ð„‚Á‚ÄŽæÞ‚µ‚½w’¿¢ŠE‹Is|ƒˆ[ƒƒbƒp•Ò|x‚ðŠ§si’}–€‘–[jBŒ»ÝAwTITLExi•¶åYtHŽÐj‚ÅAwroadside U.S.Ai’¿“ú–{‹IsƒAƒƒŠƒJ”Åjx˜AÚ’†B
œ“W——‰ï—ð
›ŒÂ“W
1998 | Roadside Japan@’¿“ú–{‹Is", ƒ~ƒmƒ‹ƒ^EƒtƒHƒgƒXƒy[ƒX,“Œ‹žA‘åãA–¼ŒÃ‰® "ÂŽR”é•óŠÙ: “s’z‹¿ˆê~‘å’|L˜N", ƒiƒfƒBƒbƒtÂŽR, “Œ‹ž "‚‚é‚‚é’¿“ú–{‹Is", …ŒËŒ|pŠÙŒ»‘ã”üpƒMƒƒƒ‰ƒŠ[Aˆïé |
1999 | "Kyoichi Tsuzuki's Treasure Photo World", Œ‹éŽs–¯•¶‰»ƒz[ƒ‹EƒAƒNƒƒXAˆïé "Tokyo Style 360 degrees", ƒGƒvƒTƒCƒg, “Œ‹ž |
2001 | "Uiverse for Rent@’À‘݉F’ˆ", Internet Museum of Art (http://www.so-net.ne.jp/ima/) |
2002 | "‚ï‚Ñ‚·”é•óŠÙ", ƒgƒ‰ƒ“ƒXƒMƒƒƒ‰ƒŠ[A“Œ‹ž |
2003 | "Voulez Vous Coucher Avec Nous Ce Soir?", centre national de l'estampe et de l'art imprim_, Chatou "Voulez Vous Coucher Avec Nous Ce Soir?", galerie du jour agnes b, Paris "Happy Victims: You Are What You Buy",center national de la photographie, Paris "ƒ‰ƒuƒz‚Ì–²‚Í–é‚Ђç‚The World of Erotic Design...Furniture,Products and Interior" ‘åãAƒOƒ‰ƒtƒƒfƒBƒAEgm |
›ƒOƒ‹[ƒv“W
1995 | "The Internal Landscapes of Tokyo", York Quay Gallery, Harbourfront Centre, Toronto |
1997 | "“Œ‹žŽÊ^ŒŽŠÔ", “Œ‹ž“sŽÊ^”üpŠÙA“Œ‹ž |
1999 | "ƒA[ƒgEƒXƒEƒB[ƒgEƒz[ƒ€", L“‡ŽsŒ»‘ã”üpŠÙAL“‡ |
2000 | "Yume no Ato - What remained of the dream... -Contemporary art from Japan", Haus am Waldsee, Germany |
2001 | "“ú–{”Œ©\‰ª–{‘¾˜Y‚ÆíŒãŽÊ^"AìèŽs‰ª–{‘¾˜Y”üpŠÙAìè "‰¡•lƒgƒŠƒGƒ“ƒi[ƒŒ", ƒpƒVƒtƒBƒR‰¡•lA‰¡•l "JAM", Barbican Gallery, London "Commodity, Firmness & Delight" CUBE, Manchester |
2002 | "JAM", “Œ‹žƒIƒyƒ‰ƒVƒeƒBƒA[ƒgƒMƒƒƒ‰ƒŠ[A“Œ‹ž "ƒTƒ“ƒpƒEƒƒrƒGƒ“ƒi[ƒŒ", the Ciccillo Matarazzo Pavilion, S_o Paul "ƒfƒWƒXƒ^“W", “Œ‹ž“sŽÊ^”üpŠÙA“Œ‹ž "Commodity, Firmness & DelightvRIBA Gallery, Londo: The Lighthouse, Glasgow "17th International Mode and Art Festival", Villa Noailles, Hyer_s "‘ä–kƒrƒGƒ“ƒi[ƒŒ"A‘ä–kŽs—§”üpŠÙA‘ä–k |
2003 | "KEEP IN TOUCH:@Positions in Japanese photography" Camera Austria - Kunsthaus Graz |